An Interview with PEN/Robert J. Dau Prize Winner Preeti Vangani
Writing is, and will always be a subversive act. And what keeps me going is to keep reminding myself that the work itself, to create, is a reward unlike… More
An Interview with PEN/Robert J. Dau Prize Winner: CK Kane
Anything that feels like you shouldn’t write about, go toward. It will find you again no matter what, so you might as well take charge. More
An Interview with PEN/Robert J. Dau Prize Winner RZ Baschir
For me, horror and the surreal come from the same source: a psychic terror, a fear of the dark, a fixation on the devouring mouth, the thing that’s not… More
The PEN Ten: An Interview with Cheryl Boyce-Taylor
It has always been my intention to give my readers truth and offer them permission to be truthful without judgment in their own lives and work. More
An Interview with PEN/Robert J. Dau Prize Winner: Seth Wang
I’m not interested in the trauma plot. But I’m very interested in the way people use trauma and identity as an apologia for shitty behavior–especially my favs, cowardice and… More
An Interview with PEN/Robert J. Dau Prize Winner: Oyedotun Damilola Muees
The people in my story only had themselves to make their community better, just like the people where I served. More
An Interview with PEN/Robert J. Dau Prize Winner: Erin Connal
I wanted to explore the slippery space that misbehaving as a group allows us. The story is about a group who does something terrible but the individuals in the… More
The PEN Ten: An Interview with Fatimah Asghar
It’s important for us to keep making stories that actually have nuanced portrayals of the communities that we come from, and also break the burden of needing our voices… More
An Interview with PEN/Robert J. Dau Prize Winner: Edward Salem
Translating can make a story overly accessible in a way that’s patronizing. I’d rather have the reader experience the unfamiliarity of being in a foreign place. More
An Interview with PEN/Robert J. Dau Prize Winner: Cal Shook
something I hope readers might hold onto is the current of agency that runs through this story, even if the woman at its center seems often adrift. More