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An Interview with PEN/Robert J. Dau Prize Winner: CK Kane
Anything that feels like you shouldn’t write about, go toward. It will find you again no matter what, so you might as well take charge. More
An Interview with PEN/Robert J. Dau Prize Winner RZ Baschir
For me, horror and the surreal come from the same source: a psychic terror, a fear of the dark, a fixation on the devouring mouth, the thing that’s not… More
An Interview with PEN/Robert J. Dau Prize Winner: Seth Wang
I’m not interested in the trauma plot. But I’m very interested in the way people use trauma and identity as an apologia for shitty behavior–especially my favs, cowardice and… More
An Interview with PEN/Robert J. Dau Prize Winner: Oyedotun Damilola Muees
The people in my story only had themselves to make their community better, just like the people where I served. More
An Interview with PEN/Robert J. Dau Prize Winner: Erin Connal
I wanted to explore the slippery space that misbehaving as a group allows us. The story is about a group who does something terrible but the individuals in the… More
An Interview with PEN/Robert J. Dau Prize Winner: Edward Salem
Translating can make a story overly accessible in a way that’s patronizing. I’d rather have the reader experience the unfamiliarity of being in a foreign place. More
An Interview with PEN/Robert J. Dau Prize Winner: Cal Shook
something I hope readers might hold onto is the current of agency that runs through this story, even if the woman at its center seems often adrift. More
An Interview with PEN/Robert J. Dau Prize Winner: Patch Kirschenbaum
It can sometimes be remarkably difficult as a fiction writer to escape the feeling that you are writing into the abyss. More
An Interview with PEN/Robert J. Dau Prize Winner Emma Shannon
There’s no real reason for things to happen, they just happen in whatever spontaneous order they happen in. What makes these things important is the meaning we assign to… More
An Interview with PEN/Robert J. Dau Prize Winner Yasmin Majeed
While writing, I was reckoning with my own feelings of powerlessness and anger, but above all I wanted to honor the long history of political resistance in Pakistan. More