On James Baldwin’s Go Tell it on the Mountain
Whatever fear strikes any reader of Baldwin’s book awaits right in that opening paragraph: an unseemly portrait of faith. It is not literary sex, or violence, or the conflation… More
Amiri Baraka: Our Man Jimmy
This excerpt is part of the Twentieth-Century Masters Tribute to James Baldwin, sponsored by PEN American Center and Lincoln Center, with The Schomburg Center for Research in Black Culture… More
Grand Tour
In America I’m not really a private person. No, I’m a public person. And a public person cannot write. More
On the Avenue
I didn’t know him, but he knew me. He knew Harlem, he knew poetry, he knew Jesus, and he knew my mother. He knew sin. I did not know… More
Freedom Fighter
As an international organization dedicated to the advancement of literature, PEN works to spread literacy in all communities, and to defend freedom of expression. For that reason it is… More
The Day I Finally Met Baldwin
The 1960s opened propitiously for me, and for my country, Nigeria. In 1960 Nigeria freed itself, at last, from British colonial rule. I published my second novel, and proved… More
The White Problem
In Go Tell It on the Mountain, the young protagonist, John Grimes, stands on a hill in Central Park: “He felt like a long-awaited conqueror, at whose feet flowers… More
On Solid Ground
When I first met the wide smile of James Baldwin face to face, I just burst into tears. In less than a heartbeat, he opened his arms as wide… More
Family Secrets
One of the conditions of being a writer is that all those authors you have loved and learned from, and by necessity have taught yourself to forget, the better… More
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