
National Poetry Writing Month (NaPoWriMo) was initiated in 2003 by poet Maureen Thorson, who was inspired by National Novel Writing Month to take on the challenge of writing and sharing a poem every day in April on her blog. This personal writing experiment grew into a global community of writers committed to crafting 30 poems in 30 days as a way to build creative momentum, experiment with new ideas, and cultivate a consistent writing practice.
Each year, PEN America’s Prison and Justice Writing Program invites incarcerated writers from across the United States to participate in the NaPoWriMo challenge by providing writing prompts and other resources designed to cultivate a sense of connection through shared artistic practice.
Remnants of Being: A 2025 National Poetry Writing Month Zine gathers poems written during this month-long journey. Within this work, writers explore the textures of time—how it stretches, repeats, and reshapes life behind prison walls. They revisit memories of family, childhood, and life before prison—the “before-world”—while also confronting the realities of carceral confinement and the distances it creates. Many pieces explore questions of identity, accountability, faith, and transformation, asking what remains of the self and what might still be remade.
Alongside these poems are pensive journal entries in which writers share insights about their creative process and experience participating in the challenge. This collection offers readers a glimpse into the discipline and imagination of writers who committed to showing up to the page each day in April, turning to poetry as a space for reflection and creative possibility. Though separated by state lines and facility gates, their voices meet here in community, folded together across the pages of this zine.
Contributors include: Kenneth Andrus, Leo Cardez, Mario Castro, Jason Centrone, Paris Atréju Chantelle, Victor Chunga, John Corley, JA Davis, W. Jason Duncan, Emilio Fernandez, Alex Friedmann, Bennie Ray Hale, Jr., Elizabeth Hawes, Charles Hill, Jevon Jackson, Franklin Lee, Tracy Leigh, Terry Little, Tyler Lowis, Amber Martens, Franklin McPherson, Matthew Mendoza, Jerry Metcalf, Ken Meyes, Jack Morgan, Lars Gunther Parker, Steven Perez, Trevor Reese, Benny Rios DonJuan, Michael J. Richardson, Fernando Rivas, Shaakir Salih, Rayon Sampson, Ashleigh Smith, Larry Stromberg, Michael JohnWeise, Brandi Wentworth, Sean J. White, and Todd Winkler.
National Poetry Month Writing Journals
Sitting here, knees pulled to chest, chessboard on knees, makeshift writing board lap desk, book light, 2231, cellie wheeze-sleeping in the bunk beneath, cursing myself for failing to carve out any time to write today’s poem. Expectation fulfilled. My entire schedule, but especially my morning writing routine, completely upended by this new person with whom I am forced to share 90 sq. ft. of cluttered space. His 35 years of deep-cut wheel tracks do not run parallel to my 15-year ruts, and where they cross, we conflict. What was my writing space is now his television space. What was my pre-count, dark morning poetry time is now his desk lamp-lit Bible study time. An hour and a half to compose something of a first poem for the first day.
Ken Meyers, Pennsylvania (April 1, 2025)
Today is one of those piecemeal days, when I sort of feel it but mostly don’t. I’ve started two other prompts and simply cannot move past the first line on one and the second stanza on another. Days like this make me feel inadequate. I just look at the scant phrases scattered across the page and hate myself for not being able to be creative in the way I long to be. Then I remember: the poem isn’t the end result. It is the vessel, and it doesn’t matter what it looks like, really. It’ll be the masterpiece I want it to be only when I’ve gotten out what needs to come out. So, there’s never a need to worry about how it looks. It’ll come.
W. Jason Duncan, Tennessee (April 4, 2025)
Prayer for “Forbidden Love”
Heavenly father, GOD of love, thank you for giving me the ability to love with your impossible love. I pray that your love spreads like wildfire to unite enemies from foes to friends
Amen
Benny Rios DonJuan, Illinois (April 7, 2025)
I’ve not been too inspired to write this month, so I started reading my “scraps” to create sparks for new things…maybe. Sometimes just getting things back into my subconscious helps. I let it mull over the words and connect with them again. Sometimes it’ll spark something days later. I can be watching TV, and a line or two will get triggered by a show I’m watching, and I’ll have to stop and grab my journal.
W. Jason Duncan, Tennessee (April 13, 2025)
Could be down at the tables, brawny collegiate, a little primer poetry to set the tone. Jack Gilbert today; and sad, sad music moving me head to heart— I’d uploaded a reflecting pool of instrumentals, knowing lyrics to interfere, before our MP3 service discontinued. Or— or, could be scrunched up in the old bunk under flexible reading light, hand towel drawn over head like baffles, portable dictionary slid down to me in my crater, and absolutely tattered composition book bandying knee to knee. Third day, fourth poem in, and having to diversify already. Same voice peeking through. Like songs all in the same key. Helps me appreciate everyone else’s work— refreshing.
Jason Centrone, Oregon (April 19, 2025)
I mostly stopped writing new poems to start on revisions—same process as last year—not looking forward to what I’d done, feeling like most of it was crap: I’d already read over the drafts while trying desperately to force something out in the small gaps of time I had alone in the cell and wasn’t impressed. So I was surprised when I figured 8 or 9 might have a chance and typed them up and started my usual revision process of reading through each draft & marking changes at least once a day (though having lost the opportunity for first-of-the-morning fresh eyes & ears), typing up the changes, reprinting to repeat the process. A couple look nearly done (for now), a couple more are falling into shape, from a few I’ve excised the healthy tissue to try to culture a different poem from the rotting mass of initial drafts. Kind of like dumpster diving for the edible parts of poems, to mix metaphors.
Ken Meyers, Pennsylvania (April 22, 2025)











