Supernova (Excerpted Pieces)
“The one person who is always there for me is not there. I feel that I face the world alone. I stand on the outside: I'm not like the… More
The Anti-Social Social Club
“My writing career began in Green Haven CF, in 2014. My schemes eclipsed my skills. Naturally, I struggled. Editor’s ignored me. But I refused to give up. I kept writing.” More
Free Press
“I learned long ago about taking the bait of free press and the dangers of falling into the sea of an open paper with its bias beaches.” More
Works of Justice Podcast: Actor, Mentor, and Mother Dunasha Payne on Parenting Through the Walls and the Power of Theater
Prison and Justice Writing Program Director Caits Meissner speaks with Dunasha Payne about mothering while incarcerated and the power of theater behind bars. More
CON*Star Ankle Bracelets: “We’re like ON*Star. . . for Cons!”
“Your Preset Options are #1: Yes Sir, Thank you. See you then, Sir. #2: Si Senor, no problemo. #3: Aaight. #4. Seriously? AGAIN? #5: I may be late due… More
Works of Justice Podcast: Writer, Advocate, and Actionist Ebony Underwood on Parental Incarceration
Prison and Justice Writing Program intern Nicolette Natale speaks with Ebony Underwood about her experience as the child of an incarcerated parent and her subsequent role as advocate and… More
Break Out: An Interview with Kaveh Akbar
A conversation with Kaveh Akbar, who will be performing Terry Hedin’s “El Reno” in our “Break Out” awards celebration, about the privilege and responsibility of performing another person’s work. More
The PEN Ten: An Interview with Danielle Evans
“Characterization and narrative tension come from the tension between a character’s inner life and their exterior life, and I’m acutely aware—because being a Black woman compels me to pay… More
Break Out: An Interview with TheaterLab’s Lanie Zipoy
A conversation with Lanie Zipoy about her curatorial process for our 2020 “Break Out” awards celebration, the challenges of organizing a digital literary event, and finding connection amidst isolation. More
The PEN Ten: An Interview with Valzhyna Mort
“I write in English to make the Belarusian experience visible in it. . . [and] I write in Belarusian because, to put it briefly, it’s the most badass language… More
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