Photo by Tom Storm

The PEN Ten is PEN America’s weekly interview series. This week we speak to Carmen Maria Machado, whose short story collection, Her Body and Other Parties, was a 2017 National Book Award finalist in the fiction category. Machado will participate in PEN Out Loud: Reclaiming Our Time on December 11 at the Strand Book Store.

1. When did being a writer begin to inform your sense of identity?
When I realized that the way that I perceived the world—the way I read, the way I looked at and listened to things, the way I parsed information, the way I processed ideas—had been altered by my artistic practice.

2. Whose work would you like to steal without attribution or consequences?
I mean, no one, but if I could magically absorb someone’s writerly essence (without taking it away from them), it’d be Alice Sola Kim.

3. Obsessions are influences—what are yours?
Cocktails, natural science, horror, the woods, the ocean, haunted houses, taxidermy.

4. What’s the most daring thing you’ve ever put into words?

5. Where is your favorite place to write?
A cabin or cottage-type space, in the wilderness, in the early morning.

6. What is the responsibility of the writer?
To write the stories she wants and needs to see in the world.

7. While the notion of the public intellectual has fallen out of fashion, do you believe writers have a collective purpose?
I think all writers should be lifting back the skin of the world to show the rest of us what’s pulsing underneath.

8. When, if ever, is censorship acceptable?
Government censorship is never acceptable. Private organizations have the right to dictate what sorts of ideas they want to host or sponsor, and should be held accountable for those decisions.

9. Where is the line between observation and surveillance?
One is the practice of any good artist; the other is systemic and invasive.

10. What book would you send to the leader of a government that imprisons writers?
Claudia Rankine’s Citizen: An American Lyric.