Known for their experimental and controversial works, acclaimed Lebanese theater artists Rabih Mroué and Lina Saneh reconstruct the final moments of a person’s life. A young Lebanese man takes his own life, and in a farewell letter, declares that his reasons are personal and have nothing to do with politics. The young man is dead but everything lives on, vibrating with transmissions in his bedroom: the television, the answering machine, the computer. Time pauses and begins anew; history is pieced together—never constructed, of course—from so many fragments of communication.
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