Deranged Punctilio
“I lay inert on the bed and it took three women to put on my trousers. They didn’t seem to take much interest in my private parts, which to… More
Pure Magic
I want to tell you the three most important theatrical events of my life. There have been many—my first Sophocles, my first Shakespeare, my first Molière, my first Uncle… More
Father of Choice
Life clung to Samuel Beckett, irritatingly, for eighty-three and three-quarter years. When he told me he’d lost his teeth, I mumbled an inanity: “It could be worse.” Without pause, he… More
Evenings in Paris
There were no more than twenty or thirty people in the audience. To my surprise, I loved Godot—how could you not? Dick was beaming. I guess this had been… More
Mel Gussow: Uproarious Pessimism
In the late 1940s, over a period of a little more than a year, Samuel Beckett wrote Molloy and Malone Dies, the first two parts of his trilogy of… More
The Terror of the Words
I believe in serendipity and geography, and both factors played a part in bringing Beckett into my life. In the early 1950s, I was living in Paris, ostensibly at… More
Language Barriers
I met Beckett in the mid ’60s. I’d started to read him in the mid ’50s and I wanted to meet the man. I didn’t often want to meet… More
Paul Auster on Samuel Beckett: Laughter in the Dark
We went on to talk about other things, and then, out of the blue, ten or fifteen minutes later, apropos of nothing, he leaned forward across the table and… More
Laughter in the Dark
We went on to talk about other things, and then, out of the blue, ten or fifteen minutes later, apropos of nothing, he leaned forward across the table and… More