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The Way We Love Now: Peter Stamm
I wanted to talk about love in Switzerland, but the country is so small, there’s really not much to say. Only one detail: In Swiss-German “love” is not a… More
Africa and the World: Writers at Home and Away
ACHMAT DANGOR: History. We all have our stories.Forty years ago, at the eager age of sixteen, I had to appear before a race-classification board in Pretoria, South Africa, because… More
International Noir: Breaking Out of Crime Time
If you think this is complexity—no, this is Mexican realism. This is a game; this is Walt Disney for Mexicans. Mexican reality is more horrible—they take our kidneys every… More
Quixote at 400
Actually, Don Quixote was published in the same year as the story of that other mad old man, King Lear, so it was a great year for mad old… More
The Way We Love Now
As I was thinking about this, I began, as one obviously would, to think about the Pope. I have the TV on in my writing room and there was… More
Natsuo Kirino: International Noir
"International Noir: Breaking Out of Crime Time" appears in PEN America 7: World Voices. This talk was presented, in slightly different form, at the 2005 PEN World Voices Festival of… More
International Noir
Noir is commonly thought of as an American genre, if it’s in fact a genre. The films “noir” was first used to describe back in the 1940s were American;… More
Elena Poniatowska: Confronting the Worst: Writing and Catastrophe
I’m going to read a testimony from a person who helped during the 1985 earthquake in Mexico. It’s a young boy, about eighteen:We reached the baseball park in the… More
Crossover Artists: Writing in Another Language
SHAN SA: I apologize, first of all, for my accent. It’s a really horrible, Chinese-French accent because I’m Chinese and I’m living in Paris now and I’m writing in… More
The Power of the Pen: Jonathan Franzen
JONATHAN FRANZEN: To the extent that the written word is a word of political utterance, it obviously can change something. Probably at least 50 percent of the time for… More
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