A man with short curly hair and a beard smiles at the camera. He is wearing a black collared shirt and small hoop earrings, standing against a plain light background.

Alejandro Heredia

Manager, Community Outreach

Alejandro Heredia is the community outreach manager for PEN America, where he develops literary advocacy and press freedom programming throughout the country. Before arriving at PEN, Heredia worked at SAG AFTRA, where he supported the movement to strengthen the commercials contract union industry. Since 2016, he has used his writing and organizing skills to create and support literary events in the Bronx, including efforts to resist gentrification in low-income communities. Heredia is passionate about the creative, intellectual, and social lives of Black LGBTQ people across the diaspora. In 2019, he launched a workshop and event series in the Bronx centering Black LGBTQ writers. He graduated from Dickinson College with a BA in English.


Articles by Alejandro Heredia

A man with a shaved head and trimmed beard wearing a light blue collared shirt stands against a textured stone wall, looking calmly at the camera.
Writing as Craft
Thursday February 23

The PEN Ten: An Interview with De’Shawn Charles Winslow

I wanted to show what lengths people would go to just to conceal truths: a child’s queerness, an addiction, hypocrisy.

A person with short black hair and glasses, wearing a black ribbed sweater, stands in front of a stone wall, looking calmly at the camera—ready for an interview with Franny Choi.
Writing as Craft
Thursday January 26

The PEN Ten: An Interview with Franny Choi

Only good long-form writing can hold you in contact with someone else’s interiority, their motivations, their makeup, for hours or days or weeks.

A middle-aged man with short curly hair and a trimmed beard wears a brown suede jacket over a zip-up sweater, standing outdoors in front of a brick wall and windows.
Writing as Craft
Thursday September 8

The PEN Ten: An Interview with James Hannaham

Don’t let a message get in the way of the truth, even when that truth is embarrassing, counterintuitive, or unpopular.