This piece was submitted by Wayne Koestenbaum as part of the 2015 PEN World Voices Online Anthology. It was previously featured as part of the PEN Poetry Series.
Wayne Koestenbaum’s event: Susan Sontag, Revisited
Trance Notebook #15
[the opposite of Tupperware]
pallid and underage
Oscar Meyer
Weiner cocktail
hot dogs in their
stinky liquor—
__________
cruelty inflicted
in Oscar Meyer pigpens?
__________
two-year-old boy died of
leukemia after being
Best Man at his
parents’ wedding—
__________
I sent my mother
a subscription to the
New York Times,
large-print edition,
though I’m not sure
she can read—
__________
guy without a shirt, red
hair, pants falling down,
backpack, Woodstock–
generation nudist
__________
lay on floor for half hour,
googled “nervous breakdown
symptoms,” discovered
that I always have
the symptoms of a
nervous breakdown—
__________
fell into a reverie about
asking the interviewer
to pose nude for me or
somehow making it
clear that he could
invite himself to strip—
__________
I wonder what my
father would say about
nervous breakdowns,
the type of subject
that fuels his eloquence—
__________
don’t overuse
the word “rape” as
(manic)
metaphor for my own
writerly rapaciousness—
__________
tomorrow draw
another crucifixion
__________
sexy guy entering
café thinks I’m over-ogling
him and resembles icy-
demeanored artist
whose neck I hovered
near in pursuit of musk—
__________
eviscerating envy
of sailor
hat akimbo
on crew-cut head
__________
Li’l Abner “I’m
past my prime”—why do
I find that song so haunting?
__________
because I
don’t remember the singer’s name?
because she isn’t past
her prime?
__________
what is a prime,
anyway?
__________
and why did I already
feel past my prime when
I was seven years old?
__________
outdoor hunk
with tight green shorts
rides away
on black bike and
wasn’t aware of my
existence—
__________
we talked about
Lana’s daughter Cheryl
Crane—“our younger listeners
probably don’t know
who Lana Turner is—”
__________
learning
how to make cursive
capital T’s and Z’s
in elementary school—
I never made the
Z correctly—
we rarely
have recourse to a
capital cursive Z—
__________
haunted by Liza with a
Z and other renounced,
betrayed Z’s—
__________
one symptom of a
nervous breakdown is
social avoidance, my
specialty—
__________
my father maybe
relieved to leave Venezuela
in an era before
international long-distance calls
were affordable—
__________
teaching me how
to urinate standing up
__________
why did we call it
a pee-pee-thing?
an ordinary
suburban locution?
__________
Twinkie defense,
Listeria, handjob,
God going commando
__________
—God’s
love affair with Otto Rank,
God’s love affair with
Simone de Beauvoir—
__________
God’s revisions of Kafka’s
“Penal Colony” before
Kafka finished writing it
__________
Miss Paul was my
second-grade teacher,
Miss Paul a funny
name, like
Miss Joe or Miss
Bob or Miss Peter
__________
masturbate on the top
bunk if you’re a girl,
on the bottom
if you’re a boy—
__________
every time I ask
permission she
looks aggrieved—
says “are you
eating celery?”
__________
despite the taboo against
cannibalism
__________
it depends
what fish are used
in the gefilte fish—
__________
death’s
interpreter, I’m
a fat man leaning on
the same bannister
Kafka’s uptight
virile father
leaned on
__________
if he’s so famous
why do I need to ask
this question?
__________
the answer is Pink Floyd
__________
Thomas
Bernhard, My Prizes:
“The problem is
always to get work done
while thinking that work
will never get done
and nothing will ever
get done…”
__________
—the raminer
club—raminer the
phrase Anna Moffo
sings in Debussy’s
“La Mort des Amants”—
to reanimate
__________
profound divas
like Tupperware
or like the opposite
of Tupperware
__________
flowers like escalators
__________
“using” means
rubbing my eyes, their
chalcedony derrières
__________
Kirk Douglas’s “slippage,”
my eagerness to talk
about Kirk’s slippage
__________
one night we had roseate
nipples and blue mistletoe,
one night we were slapped
by our Baltimore painter
boyfriends at a bar
__________
like a long orgasm in
Dynagroove
__________
“Sempre libera” backwards
like Paul McCartney’s death
revealed by playing
“Revolution 9” backwards—
__________
who taught
me that trick?
__________
rescued or adopted by
a queer on Mission
Street in pursuit of
his perfect éclair,
his Patricia Neal
impersonation
__________
inégale Baroque music in
Death Valley
__________
simple indigo
riposte to mystical
cupcake-pink boxes,
Maurice’s Bakery
__________
their glazed
French twists
an untimely message
never measured
This piece is excerpted from Wayne Koestenbaum’s forthcoming book of poetry The Pink Trance Notebooks, Nightboat Books (October 2015).