An Interview with Rotimi Babatunde, 2012 Caine Prize Winner
“The past is not dead. It is not even past,” according to one of Faulkner’s characters. In writing “Bombay’s Republic”, my primary objective was to investigate how the past… More
Sex Is More Important: A Conversation with Dante Micheaux
Eros, or eroticism, functions in my poetry as rhythm. Poetic thinking, as opposed to transactional thinking, is quite fast because it is associative—there is no formula on which the… More
Reading Is Not Optional: An Interview with Walter Dean Myers
Your recent YA novel Kick involved a collaboration between you and a high school student, with you and the student trading off writing chapters—you writing in the voice of… More
Permanent Piece: A Conversation with Brett Fletcher Lauer
It is both the religious authority and mystical confidence coupled with the presentation of the extraordinary as matter of fact that appeals to my sensibility. More
PEN America 15: Maps
In the latest issue of PEN America, we wanted to explore how writers encounter and examine the fictional topographies of their lives. More
Opening Up to the Family of Nations: A Conversation with Tom Fleming
The reason I joined PEN is really quite simple. I had been censored. More
Tunisia, One Year Later: A Conversation with Sihem Bensedrine
Just for telling the policeman who arrested you that it was your right to protest, you would pay for it. You would be sent to prison. You would lose… More
Journey of the Sentence: A Conversation with Susan Bernofsky
In a way the scene exists to show you that lifestyle; if you translate it into something more neutral, then the scene loses a lot of its function and… More
Flavor of Words: Brian Selznick and Paul O. Zelinsky in Correspondence
And how do you understand the meaning of “work”? The term has rankled me ever since I was an undergraduate art major, standing in awed incomprehension of my professors’… More
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