Jump to:
PEN America Advocacy
Case Background
Case Updates

Kirill Serebrennikov, a prominent Russian theater director, was put under house arrest on August 23 on charges of fraud. As director of the Gogol Center, a theater in Moscow that he created, Serebrennikov has promoted modern art during his prolific career as a playwright, director, and TV anchor. He has also espoused views critical of the Russian government, making him a desirable target of repression. Despite numerous appeals to the Moscow City Court, Serebrennikov was held under house arrest from August 2017 to April 2019, when he was released on bail. His trial is currently ongoing in Moscow.

PEN America, along with numerous other actors, continues to call for the charges against Serebrennikov to be dropped.

PEN America Advocacy

May 10, 2019: Serebrennikov’s film Leto is to have its New York premiere at the PEN World Voices Festival.  

December-January 2018: PEN America’s Artists at Risk Connection collects messages of solidarity from around the world to be sent to Serebrennikov during his house arrest. 

April 2018: PEN America’s Eurasia Project Director Polina Kovaleva attends Serebrennikov’s play Little Tragedies in Moscow and publishes a review that calls for Serebrennikov’s release.

September 2017: Serebrennikov is the Featured Case of the month on PEN America’s website, pen.org.

August 2017PEN American issues a statement condemning Serebrennikov’s detention. 

May 2017: PEN America condemns a Russian police raid on Serebrennikov’s home and office.


A prolific playwright and director, Kirill Serebrennikov has been a champion of contemporary arts in Russia. In 2013, he transformed Moscow Gogol Drama Theater into an interdisciplinary center for the arts, called Gogol Center, featuring film screenings, lectures, discussions, concerts, and exhibits alongside traditional plays. From 2011 to 2014, Serebrennikov was artistic director of the “Platform” project which was designed to popularize contemporary dance, music, and theater in Russia.

On May 23, 2017, Serebrennikov found his apartment and the Gogol Center raided by the police on suspicions of embezzling state funds allocated for “Platform.” The director was interrogated and released. The current and former CEOs of Gogol Center, Yuriy Itin and Aleksei Malobrodsky, were arrested and refused to plead guilty. However, the theater’s accountant, Maslyaeva, who was also detained, collaborated with the security services by testifying against them.  

In July 2017, a ballet that Serebrennikov produced on the life and work of Rudolf Nureyev, scheduled to premiere at the Bolshoi, was cancelled a few days before its opening night. Although the circumstances are controversial, critics see it as a bow to potential government pressure which has become increasingly widespread in the arts.

On August 22 2017, Serebrennikov was detained and charged with embezzling 68 million rubles ($1.1 million) allocated for “Platform.” Investigators claimed that a part of this project, a production of Shakespeare’s A Midsummer Night’s Dream, was never staged. Serebrennikov denied the accusation, claiming that the play was performed at least fifteen times. On August 23, Serebrennikov was put under house arrest until October 19, 2017, which was repeatedly extended through April 2019, when Serebrennikov was finally released on bail.

Serebrennikov has been an activist and government critic, making him a target of repression. He has protested against Russia’s involvement in the Russo-Georgian war of 2008, election fraud in 2011, persecution of the LGBT community, and arrests of Pussy Riot members, among other issues. He called Russia a country of “unabolished slavery” where people do not value freedom and a chasm exists between the people and power.

A number of prominent directors and journalists stepped up to defend Serebrennikov. According to journalist Roman Super, despite the director’s fame abroad, Serebrennikov does not consider emigration to be “right, worthy or necessary,” adding “he says and has always said that he is a Russian director, and his comfort zone in theater and in life is Russian discomfort, which he uses as fuel.”

Serebrennikov is currently released on bail and not allowed to travel outside of Moscow. His trial is currently in Moscow.


April 8, 2019: Serebrennikov is released from house arrest on bail after a Moscow City Court judge overturns a decision by a lower tribunal to extend his arrest for three months. His co-defendants Sofia Apfelbaum and Yury Itin are also freed. Serebrennikov is able to leave his apartment, work, and communicate freely, but he is not allowed to leave Moscow. He declared that he is ready to return to work. 

April 3, 2019: Once again, the Moscow City Court extends Serebrennikov’s house arrest, this time until July 4, 2019, allegedly to prevent the accused from “putting pressure on witnesses who had not yet been interviewed.” Serebrennikov has responded that all of the witnesses have already been questioned, and his defense team has filed a complaint about the extension which will be considered on Monday, April 8. 

October 17, 2018: The Moscow City Court again upholds the extension of Serebrennikov’s house arrest until April 3, 2019.

July 18, 2018: The Moscow City Court again extends Serebrennikov’s house arrest until August 22, 2018. 

April 19, 2018: Serebrennikov’s house arrest is again not lifted, but instead extended until July 18, 2018.

January 19, 2018: Serebrennikov’s house arrest is extended until April 19, 2018.


An excerpt from a conversation between Serebrennikov and Russian filmmaker Alexander Sokurov about totalitarianism can be read on the PEN America site in English translation here.

In November 2016, Serebrennikov spoke to the Guardian newspaper about increasing censorship in Russia. 


As political constraints tighten on free expression in Russia, divergent views are increasingly unwelcome on any platform. The years of President Vladimir Putin’s dominance have brought Kremlin control to virtually all media outlets and progressively to other cultural spaces and modes of expression, including social activism, scholarship, art, and theater. The result has been to populate the discourse with “approved’’ ideas and raise the stakes on dissent, which most recently accumulated in the ever-returning conversation of censoring and controlling the Internet even more. 

PEN America works to aid and elevate Russian writers fighting limits on free discourse and open access to information, including but not limited to hosting independent novelists, poets, and journalists for public events and high-level briefings in the United States, building ties with U.S. literary, cultural, and human rights communities, and publishing a comprehensive report, Discourse in Danger: Attacks on Free Expression in Putin’s Russia.