In 1994, hundreds of European artists, activists and pranksters adopted and shared the same identity. They all called themselves Luther Blissett and started to raise hell in the cultural industry. It was a five year plan.
They worked together to tell the world a great story, create a legend, give birth to a new kind of folk hero.
In January 2000, some of them regrouped as Wu Ming. The latter project, albeit more focused on literature and storytelling in a narrower sense of the word, is no less radical than the old one.
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